Periphery of yellow weed, absent-minded artist swiping at mountain. Bitten brush. Weighted seine nets falling beneath the long ago water. Mourning distance, plate shards. Forgotten answers. Still I peer into history. Travel layered cake. Fingers curled under into perfect fists.
I carry steep expectations, inherited intolerance often screwed on tightly weathered wooden head, full of unspoken slights which I try and try again to discard replace with softer intentions, holding my six keys on a ring and an address book full of names of people who love me, regardless
in my messenger
bag with lipstick and Carmex
my iPad and keys
the little book that holds little
books a wallet
a plastic bag to use
if I go shopping
I carry five faded memories
which reminds me
what do you carry
everyday
And though it may be dry outside now there is recognizable assurance, trusted suspicion that you recognize the water will run again Yes, you can smell it the abundance of lilacs in this city every year, one after another the welcome of heady bushes purple and green against the ruddy earth, the little acequia the rain.
This twenty digit nymph with far off eyes rested in the dirt with Spring in all its holy almost Easter nakedness as the sun skirted wearing only blushes of blue and pink as we walked past her on Canyon Road last evening crossing and then crossing back across the road
And the heart's beating Mimes infinitesimal pulse Agile fingers fold feathery Down of seasonal birds Spring with its arms Holding Collections of paper Gathered again Provoking a smile no matter How temporary
Cafe red and yellow, waiting, I anticipate your overdue arrival and a strong chai just ordered. Chocolate and steam milk artistry, barista painting the top of the sleepy smoke stack, palm full of timeless petals. I wait on the umbrella of you as weather is confusing and the walls are bare of any other thoughts, save for one cherry on top.
The straggly, yellowed yucca you pulled from the trail while hiking stands half buried, timid now and upright in our side yard. Thin frosty valentine takes ready aim for sky. All sharp edges but pretty. We revitalize sight with each hopeful transplant of painted sticks fastened together with glue and lacy paper. Where formerly there was only dried earth, adventure will burst into perfect flame, one whole mosaic of blues.
There was something about the entrance that always stopped her. Iron promise. The arc of the old welder, his tools spitting, Breath sequestered. The day that her husband hoisted the header of metal at the dry road's edge and they were all prouder than when they first moved in. She was younger then. If she closes her eyes against the sun, it isn't blue that seeps in but crimson of attempting to forgive the dusty end of the earth where she lives still, raising boys named Tanner and Hunter, and a girl named Elizabeth after all the others, in a modern world left wishing on them. Yet the animals remain her friends, fresh water in silver tanks, and an arc of invisible electricity that transmits her wireless dreams at dusk on the flat screen diary. Her sideboard desk littered with unimportant papers, save for a tiny paper umbrella of yellow, folded touchstone, bookmark for a different story drink that she begins, writing about the city and a bridge.
What would the wooden trunk hold? Or the rusty, elegant hinges curled around adolescent diary of pressed gardenias, broken clasps mended. Hair waved. Her mother's mother's elbow length gloves. Red. Hint of moisture on the skin.
En route route to southwestern pan- handle homestead where Great Aunt Evelyn's final resting hands and family will gather in familiar Oklahoma air to sit in straight back chairs to eat and honor in their Sunday go to church meeting clothes that drape us all in crossing over Sounding one last dinner bell to Heaven wintery rain soft on the tin roof that hears the generations with petals in their hands corn husk gold with grape juice for communion.
Good day I believe it is established that you are fully mine: fajita cart & shoppers resting corridor to fresh taste of courtyard winter pulling back along the walls promenade to red and gold street art profiles of people on sturdy wooden doors to french pastry & window moccasins historic postcards greet me their invisible paint- brush bearers pillar umbrellas that will not display today for the day is aligned for wander no icy puddles save for splash of light on vendor's folding tables of silk screen blues and turquoise green bangles
The mourning doves have come, my small oval saints, touchstones that some say pester with abundant presence in their front yard winter trees. But as I drive by I nod to them, momentarily knowledgeable of the names of things which gives me fleeting confidence in simple ritual, in sightings. Furry down with wings.
If Saturday were sky and the cupboards all were emptied, we would have each other, silent save for these tassel missals sent like homing arrows, like patient pick up sticks. If silence were an animal it would surely have long hair and you and I would bend to pet her or him, passing through the quiet crowd, the color of the air outside. The sky is my sister and I dare her to take these well-guided arrows, these prayers that no one's best friend pass away this year or that we might love our daughters without pause, that these walking sticks standing upright, red and natural earthen brown, will stake a place where we will dance a rainless dance and anticipate the future new year weather stacked in this, our shared cupboard, that we will flag a new name like fortunes tucked in cookies a restlessness folded under, pinned like a hem